Monday, March 18, 2019

Dichotomy of Colors in Poes The Masque (Mask) of the Red Death Essay

Dichotomy of Colors in The Masque of deprivation termination In The Masque of blushing(a) Death, Poe uses aural, visual, and kinetic images to create the effect of hero-worship in a joyful masque. Poe starts off with a description of the Red Death. He gives gory detail of how it seals ones fate with Blood. He tells of pain, horror and bleeding. Moreover, the canker kills pronto and alienates the sick. This is Poes image of death. He only bothers to tell its symptoms. He doesnt go into the fear present in the lives of people with the disease. He describes the scene of rubor and blood streaming from the pores, the face. His description of the afflicteds pain also adds to the graphically unambiguous expos of the red death disease. The red death image is morbid and has a advance(a) day counterpart that aids Poe in creating a wondrous horrific scene. Many of the symptoms mentioned in Poes red death fit the modern day Ebola. Both diseases are of unknown origin and attack quickly causing massive bleeding. Just as Ebola turned the society in Africa upside down, Red Death encourages desperate Prospero to put up crusade gates to protect himself. This disease is meant to cause fear in the people. Referring to Red Death, Poe draws comparisons to an Avatar, a god sent image. It implies a god given indomitability to Red Death and dooms the victim to alienation from society and a agonising death. Just looking at the description -- imagining the scene -- creates that fear and horror. In contrast to the morbid images associated with red death, Poe describes a group of happy masqueraders. The key figure among the joyous people is Prince Prospero who, as suggested by his name, is prosperous and has lots of entertainment. He is not worried because his wh... ... go. That fear, manifested as Red Death, stood erect and motionless within the shadow of the ebony clock ... and all fall in death with his presence. Even the clock went out with that of the last of the gay . Poe paints a duality of bright, varied, and interesting colors contrasting with dark black. These colors blend, even though one may fight and try to protect itself against the other. Using aural as well as visual images, Poe presents to the reader the clock, a symbolization for time, which lurks as an enemy waiting to unleash an inevitable horror on the masses. With this inevitable and explosive mixing, Poe paints a picture of happiness, gaiety, and liveliness, that decays into a dark abyss of the last, black apartment. Works Cited Poe, Edgar Allen. The Mask of the Red Death. The Works of Edgar Allen Poe. Ann Arbor, MI arouse Street Press. 482-487.

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